Spotlight
Showing posts with label Illustration. Show all posts
Showing posts with label Illustration. Show all posts

[Cover Reveal] Clemente, Corazón de Pueblo: Illustrating the Politics around Roberto Clemente






We are delighted to bring you the exclusive cover reveal for Puerto Rican children's author Wanda I. De Jesús Arvelo’s forthcoming children's book, Clemente, Corazón de Pueblo, a picture book biography of the legendary Puerto Rican baseball player, Roberto Clemente. Rosa Colón, who was a Featured Illustrator in our May 2018 issue, illustrated the book. Victor Maldonado is the book's designer.

Clemente, Corazón de Pueblo is the third book in the Los Súper Gigantes children's book series, a project of the Municipio Autonomo de Carolina (Autonomous Municipality of Carolina) and the Fundación Puertorriqueña de las Humanidades (Puerto Rican Foundation of the Humanities). Each book in the collection highlights a historical figure who has made important contributions to Puerto Rico and the wider world.

In Carolina, Land of Giants, we have many heroes.
Our Roberto Clemente is one of them.
Childhood hero. Sports hero.
Hero to justice. Hero to solidarity.
This is his story.


Ready to see the cover? Watch the video below, then keep reading to learn more about Colón's process illustrating the book, as told by herself.





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Roberto Clemente was an exceptional Puerto Rican baseball player, equally remembered for his illustrious sports career, as for being charitable and outspoken against injustices. Thus, it was no surprise to me that the text for Clemente, Corazón de Pueblo, Wanda I. De Jesús Arvelo’s forthcoming children’s book that I am very proud to have illustrated, was full of history and politics. In order to understand Clemente’s success and extraordinary empathy, one must first understand the events that shaped him into the man everyone admires.

“¿Tiene un obrero el derecho a exigir trato justo?
¡Por supuesto que sí!”

[Does a worker have the right to demand fair treatment?
Of course!]


The Puerto Rican people are suffering but not broken and I wanted that strength to show in my illustration. The color palette is nostalgic without being too sad. I wanted to depict jíbaros (workers) as active and angry, the opposite of the passive or even happy worker in the cane field trope.

“Melchor trabaja de sol a sol
y es justo y solidario
con los obreros que laboran con él.”


[Melchor works from sun up to sun down
And is just and shows solidarity
With the workers who toil with him.]


Clemente learned empathy from his parents, Melchor and Luisa. I illustrated the workers’ clothes to look dirty but not disheveled. Their hands are cut and scarred but still strong.

“Detestaba el discrimen,
las comparaciones,
el trato condescendiente
y el intento de asimilarlo a una cultura que no era la suya.”

[He detested discrimination,
the comparisons,
the condescending treatment
and the attempts to assimilate him to a culture that wasn’t his own]




This spread was a bit challenging. Adding too many scenes depicting racism and the civil rights struggles would’ve been too overwhelming for kids. For this story, it’s more important to show how Clemente is reacting to the racism. I hope that the page works as a conversation starter for teachers and parents.

Adding historical context to children’s stories will spark curiosity about the past and the future. It gives them a way to understand complex situations and can build empathy for different lived experiences. Our children carry the burden of an uncertain future; we need children’s books that help prepare them to fight for it.

Clemente, Corazón de Pueblo hits shelves this summer.






About the Illustrator

Rosa Colón is an illustrator and comic artist based in San Juan, Puerto Rico. She has a BA from the University of Puerto Rico and an MA from the University of Brighton, UK, and is passionate about storytelling in sequential art and illustration. She has self-published her comics with her friend, Carla Rodríguez, for over ten years. They are the creators of Soda Pop Comics, the first all female comic collective in Puerto Rico, and Tintero, a comics and art fest focusing on Puerto Rican artists. Rosa has been focusing on non-fiction comics and her work can be found at The Nib and the Eisner nominated anthology Puerto Rico Strong by Lion Forge. Visit her on Twitter: @sodapopcomics, Facebook: @sodapopcomics, and on the web at www.rosacolonguerra.com.




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[Featured Illustrators] Rosa Colón





Rosa Colón is the illustrator of Los colores de mi isla, written and self-published by the Editorial El Antillano collective in 2016. The book is a concept book that teaches young readers about the topic of colors. The illustrations simultaneously pay patriotic tribute to Puerto Rican culture, highlighting the landscape (rural and urban), foods, cultural customs and movements of daily life of the island. Colón is also the illustrator of The Recycling Chronicles series of environmentally-themed children's books by Puerto Rican children's author Arturo Lizardi.
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[Featured Illustrators] Lulu Delacre





Lulu Delacre's thirty-ninth children's book project, Turning Pages: My Life Story, is the highly anticipated children's book memoir by Puerto Rican American judge, Justice Sonia Sotomayor—the first Latina to attain a position on the US Supreme Court. The picturebook highlights the strong role reading played in Sotomayor's inspiring life from an early age. Read the book's synopsis here on the publisher's website.
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[Featured Illustrators] Daniel O'Brien





Daniel O'Brien's unpublished first children's book, The Carnival Prince, developed from drafts workshopped in his SCBWI writing group, and is inspired by his love for Caribbean folklore, Trinidad Carnival and the natural landscape of the islands.
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[Featured Illustrators] Alix Delinois





In 2010, Scholastic published Eight Days: A Story of Haiti, Alix Delinois' second illustrated children's book. Written by National Book Award nominee Edwidge Danticat in an attempt to explain the 2010 Haiti earthquake to her 5-year-old daughter, Eight Days: A Story of Haiti was hailed as "a brilliantly crafted story of hope and imagination" and "a powerful tribute to Haiti and children around the world." It was featured widely in the press, including by NPR and The Huffington Post.

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[Featured Illustrators] Jade Achoy





In 2014, Plain Vision Publishing published Jade Ahoy's first illustrated children's book, written by her librarian mother Grace Achoy. The Black Lake is loosely based on an Amerindian legend about the formation of the Pitch Lake, the largest natural deposit of asphalt in the world, found in the town of La Brea in southwest Trinidad.

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Bougainvillea Girl



Iguana by Merry Phillips

Flowers, get your bougainvillea flowers!
Fresh from me mammy garden!
Pink and orange, purple and white;
what a very lovely sight!
Me special Grenadian flower it is,
growing on me mammy bushes.
She backyard full up ah dese,
a special treat for de honey bees.
See how I nice with me bright pink flowers
blessed by de hot sun and July showers?
Make nice centrepiece for your tables and dem,
to put in your hat or give all you friends!
Bougainvilleas for you?




About the Author

Fidelia Fisher has loved reading and writing since her childhood and always dreamed of one day being a great writer. She is a primary school teacher and the author of the 2016 picturebook, Shaka the Nutmeg Seed, as well as some poetry and short stories. She has been recognized by the Grenada Union of Teachers for her writing. Her inspiration is her son, Kriston, and her love of literacy. She currently lives with her family in the quiet village of Pomme Rose, in the lovely spice isle of Grenada.


About the Illustrator

Merry Phillips has a B.A. in Fine Art from Capital University and an M.A. in Art History and Library Science from Kent State University. She taught art for three years to junior high school students in Nassau, Bahamas and for 27 years she taught art to both elementary and high school students in St. Thomas, U.S. Virgin Islands, and was also a high school and elementary school librarian. She taught watercolour and basic drawing at the University of the Virgin Islands. She owns a small Christmas Ornaments company in St. Thomas. Now retired, she is currently an aspiring children's book author.

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[Featured Illustrators] Jeunanne Alkins





Jeunanne Alkins' first picturebook project, Ready. SET...HATCH!, merges art, storytelling, and environmental awareness. The book is both written and illustrated by Alkins, and was self-published through her design studio, ESPjr, in 2014. She markets the book toward toddlers but it's a story for all ages.
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Tess




by Patricia Whittle

The Intelligent Iguana by Sayada Ramdial
Den a how dis ya tess so hard?
Teacher never teachi, for mi study a yard.
But how dem gi wi wa dem no teach Miss?
Sey mi fi shut up for a exam dis?

Miss mi nah look pon nobaddy paper!
Gwan mark up mi paper for mi no kya.
Afta dem gi wi tess pon wa dem no teach
Dem come tell lie bout people a cheat.

Teck di paper Miss, an gwan!
A so all a unnu carry awn
Bout Principal wi deal wid mi behaviour!
A pure foolishness a gwan ya!




About the Author

Patricia Whittle is a Jamaican librarian and a teacher of English Literature. She writes stories, plays and poems. She is the author of two books, Johnny, Mass Tom and the Fatal Error: Three Short Plays and Mi Waan Fi Publish A Book: An Anthology Of Jamaican Dialect Poems.

About the Illustrator

Sayada Ramdial is an illustrator and graphic artist from Trinidad and Tobago. She is the artist behind "Designed For A Smile", a line of greeting cards celebrating the spirit of Trinidad and Tobago Christmas. In 2012, she graduated with honours from SCAD, University for Creative Careers, where she earned her B.F.A in Illustration, with a minor in Drawing.


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The Vejigantes are Coming




by Carmen Milagros-Torres

A vegigante by Erick Ortiz Gelpi
When February arrives, the people of Ponce, Puerto Rico prepare for their special festival, the Carnival of Ponce. It is a week-long celebration full of music, dancing, and parades. The Carnival of Ponce has been celebrated in Puerto Rico for hundreds of years. The most important part of this celebration are the masked vejigantes in their bright costumes.

The vejigantes look like colorful monsters that leap and dance to the beat of the drums. Wearing bright, satiny jumpers with wing-like sleeves, they look like human bats. But the most important part of the vejigante costume is the mask.

The masks are made of layers of paper and glue known as paper-mâché. The dried mask is painted in bright yellows, reds, purples, and blues. The artisans then paint complex designs with circles, squares, triangles, or big and small rectangles. All the masks have horns. Some have two horns, some have three, some have seven horns. One mask even has thirteen.

The vejigantes also carry a vejiga, a bag made of cow bladder that is filled with pebbles. The vejiga makes a maraca-like sound as the vejigante swings it trying to hit the people. As the vejigante walk in the parade, the watch the crowd of people. Suddenly, they jump and start chasing any person they see.  They swing the vejiga trying to catch the person who laughs and runs. The crowd cheers at the vejigantes. The vejigante jumps and dances in the crowd and then returns back to the parade.

The vejigantes love to dance.  They move to the rhythm of bomba, the traditional music of Puerto Rico.  This music originated in Africa and is mainly produced by the bomba drum which is made from a barrel. The bomba musician sits behind the drum as he pounds out the rhythm: TUN-TUN-tun-tun, TUN-TUN-tun-tun, TUN-TUN-tun-tun.

When the vejigantes hear the music, they begin to dance. Vejigantes dressed in blue, vejigantes dressed in yellow, vejigantes dressed in green, and vejigantes dressed in purple. And all dance to the rhythm of TUN-TUN-tun-tun. As they walk down the street you can hear, “The vejigantes are coming!” The children shout and dance, twirling round and round. The vejigantes jump and dance and join the children’s dance.

Then comes the round of chants. The vejigantes and children chant silly songs about the vejigantes and the carnival:

Vejigantes: Knock, knock, knock, knock!
Children:         The vejigantes eat coconut!
Vejigantes: Pru-cu-ta, pru-cu-ta!
Children:         How good is all that?
Vejigantes: That old woman is a witch!
Children:         A witch she is!
Vejigantes: And her eyes are the color...
Children:         of chocolate!
Vejigantes: Vejigante to the water!
Children:         Bread and onion!
Vejigantes: Vejigante ate mango !
Children:         And even licked his toes!
Vejigantes: Knock, knock, knock, knock!
Children:         The vejigantes eat coconut!
Vejigantes: La-ri-O, la-ri-O!
Children:         La-ri-O, la-ri-O!
Vejigantes: La-ri,la-ri, la-ri-O!
Children:         La-ri,la-ri, la-ri-O!

And then the vejigantes once more dance to the rhythm of bomba. When the music ends, the vejigantes leave the carnival. They will return next February to dance and play more pranks.



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About the author...

Carmen Milagros Torres is a professor at the University of Puerto Rico at Humacao. She is currently completing a PhD in Caribbean Linguistics. Her interests include photography, crocheting and reading children's literature, especially Caribbean children's books which highlight the Afro-Caribbean experience.

About the illustrator...

Erick Ortiz Gelpi is a plastic artist and visual arts teacher from Peñuelas, Puerto Rico. He has participated in numerous collective and individual art expositions. His illustrations have appeared in The Caribbean Voice newspaper published in New York.

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Rolling Calf




by Lisa E. Dunn

Chased by Gary Dunn
One morning, before the break of day, Papa and Jay got dressed and walked down the road to wait on the bus. They were going to the city and had to catch the only bus that passed their house at four-thirty in the morning.

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The Caterpillar That was Afraid of the Cocoon




by Latoya Wakefield


Irie and Grandma by Kavion Robinson
Once upon a time there was a caterpillar named ‘Irie’. Irie loved his name, although he did not know why it had been given to him. One starry night, he asked his grandma.

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Mama’s Laughter




by Elayne Ogbeta

Mama’s laughter starts from her toes
Beauty of the Caribbean by Maisa Abed
Travels up to her belly, then overflows.

Mama’s laughter can fly very high
Through the clouds and past the sky;

How far it flies? I do not know,
Then gently falls like tear-drops slow. 

Mama’s laughter is crazy by far
Than a hundred hyenas at a bazaar,

And just like when a monkey climbs
Her laughter swings from time to time.

Sometimes she giggles like a child
Or roars with laughter like a lion wild.

Laughter when mama fixes my bike,
Laughter for breakfast and stories at night.

No shadows lurking in the dark
When Mama’s laughter makes its mark!

When I hear her laughter from my room,
It takes my dreams up to the moon.

Even on the moon, Mama’s laughter’s there;
I can hear it dancing in the air.

Mama’s laughter through the rain
Can surely bring the sun again,

And then a rainbow I will see;
Mama’s laugh has that effect on me.

Mama’s laughter makes beautiful art,
A beauty that comes from mama’s heart.

And even when Mama’s not there,
I can hear her laughter everywhere!


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About the author

Elayne Ogbeta lives in Salford, Manchester UK with two bubbly children and a supportive hubby. Ever since she was ten years old, she knew she wanted to be a writer. She is a freelance children’s writer and also designs greeting cards. She studied MA Creative Writing for Children at Manchester Metropolitan University.  She is the author of Anansi & The Dutchy Pot (Author House, 2011), and her work has appeared in anthologies including: Mama Blew a Kiss - Happily Ever After - A Creative Collection for Children (Forward Press, 2011); Rapunzel, Rapunzel - Shangwe Hair & Skin Anthology (2010); Bath-time Bubbles- A Collection of Poems for Children (Forward Press, 2009); and Rapunzel, Rapunzel - Hair, A Journey into the Afro & Asian Experience (Suitcase Press, 2006).

About the illustrator

Maisa Abed is 11 years old. She was born in London to Iraqi parents and she is in Year 7. Her hobbies are reading, studying science, playing the piano and art. 


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Pipe Dream





by Carol Sammy

My mother came rushing into the house, more worked up and flustered than usual. I looked up, waiting for any news.

‘The water truck coming,’ she announced breathlessly. ‘Hurry. If we don’t get to them, they might pass straight.’

My book fell to the floor. Harry Potter would have to wait. I ran ahead of her, in case she didn’t get there fast enough, like the last time. Our dingy little street, with all its potholes, joined the main road hundreds of yards away, but I sprinted like a gazelle. Making it in record time, I stood waiting exultantly for the truck to get to me.

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My Wish Quilt





by Summer Edward

Quilt by Summer Edward
I like to dream,
just me and what I think.
I see from outside looking in,
all my funny thoughts,
some of them strange.

I can do my own dreaming
anywhere, any time.
I have all the yarn I need,
pieces of the story inside
to stitch the dream
together like a quilt,
my wish quilt.

I like to dream 
my wish quilt full of words
I choose, heroes I invent.
My mind sends me postcards,
places new or real in life.
The places are mine now.
What I dream I own;
I’m in charge.

I like to dream
when I’m all alone,
in class not listening at all,
on the bus looking out.
My stories have patterns
full of guessing.

Shake out
the wish quilt
of pictures in my head
moving more
than pictures outside.


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About the Author...

Summer Edward is the Founder and Managing Editor of Anansesem. Her poems, fiction and art have been published in tongues of the ocean, BIM: Arts for the 21st Century, St. Somewhere, Philadelphia Stories, The Columbia Review, Obsidian: Literature in The African Diaspora, The Caribbean Writer and more. She is currently at work on several picturebook manuscripts.


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Connor Conrad and the Forest Children




by Krys-Darcelle Candace Dumas

Caribbean Sunset by Sara Abed, age 10
Connor Conrad looked up from his game of marbles. Just a moment before his brother and sister had still been playing in the yard. But now they were gone.

“James?” Connor called to his friend, “Where are Sally and Benjamin?”

“I don’t know. They were here a minute ago.”

Connor started to sweat. He had been ordered to watch Sally and Benjamin while his father went to the supermarket, but he had looked away from them, only for a moment, while he took his turn with the marbles. Where had they gone?

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Power's Back, Grandpa




by Lisa Shaw

Micky and Ricky by Janiene Facey
“Quick! Distract the monster and get the energy shields!” Micky shouted.

“Energy shields activated!” his twin brother Ricky announced. “Just one more obstacle and we’ll be level 9 champions.”

Micky and Ricky both did a little jig as they anticipated the leader board ratings they would surely get for clearing one of the most difficult rounds in their favourite Internet game. They had never made it this far before, and they had been playing all summer.

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Thinking




by Jaixia Ellis (age 13)

Thinking about how the elder
felt when I asked her all those personal questions.
Did she feel I was intruding?
Self-Portrait by Effie Quansah-George, age 9

Thinking how I felt reading
out loud to a bunch of strangers on camera.
Was I saying things the right way?

Thinking in the beginning
if this is a waste of time being here.
In the end I realized I thought wrong.

The old lady came from Grenada.
Some things she said about her early life
made me think of mine.
Her smile, the look in her eyes.
Do we have a connection?

Thinking about the old lady, how I felt.
I had learned something special.
That was an experience!



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About the author

Jaixia Ellis, known as ‘Jai’, is thirteen years old and lives in England. She is of mixed heritage; her mother’s family are from Jamaica and her father is English. She is a member of the Writing, Acting and Publishing Project for Youngsters (WAPPY) and her hobbies and interests include writing, reading, singing, arts and crafts, and modelling. Jaixa is looking forward to writing her first novel one day. Her poem, ‘Fingers Crossed’ was published in 'The Soul of a Child', and her artwork was chosen for the front cover.


About the illustrator

Effie Quansah-George is nine years old and lives in England. Her mother is Ghanaian and her father is from Grenada. She has three older brothers and a niece who is two years old.  She enjoys Physical Education, English (especially reading and writing poetry), Science, Design and Technology, and ICT at school. Effie loves sports, dancing, fashion, and being part of the Writing, Acting and Publishing Project for Youngsters (WAPPY). In the future she would like to be a fashion designer. Her poem, 'Haiti' was published in 'The Soul of a Child' when she was seven.

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Gorgeous Granny




by Conrad Burdekin

Granny by Lilian Fitchett
Gorgeous Granny,
lucky me,
my best friend
for all to see.

Wrinkled face,
sparkly eyes,
tells tall stories,
gives high fives.

Knobbly knees,
jumps in puddles,
loses keys
likes long cuddles.

Gnarled up fingers,
painted toes
loves big jumpers,
wears posh clothes.

Munches chocolate,
eats dry bread,
girly giggles,
hair dyed red.

Drives too fast,
cries at songs,
makes me happy
all day long.

Gorgeous Granny,
lucky me,
my best friend
for all to see.



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About the author...

Conrad Burdekin holds a degree in English Literature from the University of South Africa and is the author of two poetry books for children, The Hungrumptious Blumpfh and Teachers Pick their Noses. He lives in Yorkshire, England.

About the Illustrator...

Lilian Fitchett was born in Sheffield, England in 1969. She studied art at Barnsley college before moving south to study art and fashion. She has always had a passion for art and was thrilled when she landed a job in Barnsley teaching art to primary school children full time. She paints scenery for school productions, and draws and paints in her spare time. She is the illustrator of two collections of children's poetry, Hungrumptious Blumpfh and Teachers Pick their Noses, both by Conrad Burdekin. She is married with three very creative children and enjoys spending time with her wonderful family.

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Hugs




by Conrad Burdekin
Doggie Hug by Lilian Fitchett

Hugs from granny are chin-spiky,
finger-wrinkly, bone-creaky.
Hugs from grandad are hair-ruffly,
pat-on-the-back-y, pinch-my-cheeky.
Hugs from my dog are extra smelly,
super slobbery, tail-waggly.
Hugs from my dad are spinny and dizzy,
high up and whizzy, squashy and squeezy.
Hugs from my mum are safe-feely,
soft and cuddly, fall-asleepy;
these hugs are best-of-all-y!




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About the author...

Conrad Burdekin holds a degree in English Literature from the University of South Africa and is the author of two poetry books for children, The Hungrumptious Blumpfh and Teachers Pick their Noses. He lives in Yorkshire, England.

About the Illustrator...

Lilian Fitchett was born in Sheffield, England in 1969. She studied art at Barnsley college before moving south to study art and fashion. She has always had a passion for art and was thrilled when she landed a job in Barnsley teaching art to primary school children full time. She paints scenery for school productions, and draws and paints in her spare time. She is the illustrator of two collections of children's poetry, Hungrumptious Blumpfh and Teachers Pick their Noses, both by Conrad Burdekin. She is married with three very creative children and enjoys spending time with her wonderful family.

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