Spotlight
Showing posts with label News & Notes. Show all posts
Showing posts with label News & Notes. Show all posts

Anansesem Books: Our Store is on Bookshop.org!



Anansesem is now a part of Bookshop's affiliate program! Bookshop is an online bookseller network with a mission to financially support local, independent bookstores. When you purchase books from our shop on Bookshop, we receive a small commission and Bookshop will also give 10% of the money from each sale to independent bookstores. Your order will contribute to an earnings pool that will be evenly distributed among independent bookstores.

Our shop (Anansesem Books) carries Caribbean books for young readers. Our shelves include Caribbean Picture Books, Caribbean Middle Grade Books, Caribbean Young Adult Books, and we also offer a BIPOC (Black, indigenous and people of color) Picture Book Sampler. We encourage you to first consider making your purchases directly from your local indie bookstore, but for online shoppers looking for an alternative, our store is a convenient option that also supports the wider independent bookseller community.

Our other online bookstore, which you can access right here on our website, also remains open and fully operational.

Happy reading!




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Discounted Access to Anansesem's Digital Issues During COVID-19 Crisis



In response to the spike in back issue purchases since our closing and to better enable you to engage with the challenges of the COVID-19 outbreak, we're offering access to our most recent digitial issues at a reduced cost of $10 for 3 PDF issues.

Offer ends November 30, 2020.


Catch up on the latest writing, news, reviews and interviews from the world of Caribbean children's and YA literature, from the comfort of your home. Get the May 2019 (Puerto Rico Issue), May 2018 (Book Reviews Issue) and September 2017 (Love Issue) .pdf special issues (259 pages in full color) of Anansesem, the premiere publication for librarians and information specialists who work with Caribbean children and teens.


*This offer expired on 11/30/2020.*


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Dear Readers: On the Closing of Anansesem





UPDATE: We periodically continue to highlight the finest Caribbean books for young readers through our newsletter which you can subscribe to here.

Earlier this year, before people across the world were asked to shelter in place in their homes, Anansesem announced that we were switching to a new publicaton model. For 10 years, we put out submission calls and published issues based on responses to those calls. Starting in 2020, we'd decided to stop open-call submissions and instead rely on a team of correspondents from various Caribbean countries to produce content for the magazine. We also announced that Emily Aguiló-Pérez had joined us as the new editorial head, replacing Summer Edward. With a small but growing team of correspondents volunteering their time and talent, we'd hoped to usher Anansesem into a new era. These decisions were all made in the waning months of 2019, before any of us could know what lay ahead.

Since then, like almost everyone, we've been forced to reconsider our professional and personal priorities. Under normal circumstances, it's challenging running a small literary magazine when we receive such little funding and are unable to pay contributors and team members. In these drastically changing times, when jobs are on the line and the financial future is uncertain, it's become clear that running a magazine using volunteer staff, as we've done since our inception, is no longer feasible. There is also the simple fact that these are incredibly stressful times. Everyone is facing their own unique set of challenges. We'd planned to roll out new content by early May, and that has not happened. Our team members have simply had too much on their plates.

So it's with sadness and perhaps a bit of stoicism that we announce that Anansesem is joining the increasing number of publications either closing or going on hiatus indefinitely since the pandemic started. Right now, the magazine's future is uncertain, but everyone at Anansesem remains committed to championing good Caribbean books for young readers. Anansesem has been a safe, inclusive space for discussion and celebration of the Caribbean's youth literature and it's a space we hope to revisit in happier, stabler times. We hope those times will come soon enough.

Our website will remain online and our online bookstore will remain open. You can still purchase back copies here; issues published before 2017 remain freely accessible.

Thank you from the bottom of our hearts to everyone who submitted to us over the years and to everyone who has supported our work. We're grateful to past magazine staff for their part in creating a vital, versatile platform and for hosting important literary and cultural conversations over the past 10 years. It has been a remarkable run.

We send our deepest wishes for the health and safety of our community.

Love,

The Anansesem team


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Anansesem Announces Emily Aguiló-Pérez as New Managing Editor




Dr. Emily Aguiló-Pérez. Image: Strong National Museum of Play


PRESS RELEASE

FOR IMMEDIATE RELEASE

March 23, 2020


PHILADELPHIA, PA—Anansesem, the online magazine and leading publication devoted to covering English-language Caribbean children's and young adult literature, is proud to announce Emily Aguiló-Pérez, Ph.D. as our new Managing Editor. We're very happy to welcome her to the role! Dr. Aguiló-Pérez's appointment as head of the editorial team is a part of our recently-announced transition from a submission-based publication model to a citizen journalism model. Anansesem's staff, including its advisory board members, are excited about her expertise and commitment to bringing fresh perspectives to the magazine at this moment of evolution in our 10-year history.

"I’m beyond excited to bring my passion and enthusiasm about children’s and young adult literature to my role as Managing Editor. While my duties are to review and edit submissions from our Country Correspondents, I also hope to contribute some writing from time to time. I cannot wait to start working with an amazing team and to learn from them," stated Dr. Aguiló-Pérez. Read her full introductory message below.

Emily Aguiló-Perez

Starting in childhood, children’s books have always been such a big part of my life; it’s hard to remember a time when I wasn’t fascinated with them, but I remember the moment I decided to study them. I was finishing up my coursework for my M.A. in English at the University of Puerto Rico in Mayagüez and intended to write my thesis on linguistics, which I absolutely loved, but one day I realized I wanted to study adaptations of one of my favorite books: Alice’s Adventures in Wonderland. Having made this decision, I enrolled in a children’s literature course, and the rest is history.

After completing my M.A., I taught elementary school English in Puerto Rico for a year before moving to the USA in 2012 to pursue my Ph.D. at the Pennsylvania State University. There, I studied children’s literature and children’s and youth cultures and minored in Women’s, Gender, and Sexuality Studies. My dissertation, titled Tracing Puerto Rican Girlhoods: An Intergenerational Study of Interactions with Barbie and Her Influence on Female Identities, examined the social and cultural impact of experiences with Barbie on women and girls. Currently, I’m finishing my book manuscript on this work.

At present, I’m an assistant professor of English at West Chester University of Pennsylvania, where I teach courses on children’s literature, children’s culture, and writing. I’m very passionate about this work, not only in the classroom but in my daily life. I love reading children’s books, especially #OwnVoices titles, and I enjoy making recommendations to anyone who asks. Most of what I share on social media is about children’s literature! My teaching, research, and service work center on identity and representation in children’s books. I've presented research on Puerto Rican and Latinx children’s books at various conferences regionally and internationally, including the Annual International Conference of the Children’s Literature Association (ChLA) and the Biennial Congress of the International Research Society for Children’s Literature (IRSCL). I’ve served on committees for the Lee Bennett Hopkins Poetry Award, the Pura Belpré Award, and the Pennsylvania Center for the Book’s “A Baker’s Dozen” initiative. I’m currently a member of the Association for Library Service to Children's (ALSC) Library Service to Underserved Children and Their Caregivers Committee and a manuscript reviewer for Research on Diversity and Youth Literature journal.

I’m beyond excited to bring my passion and enthusiasm about children’s and young adult literature to my role as Managing Editor of Anansesem. While my duties are to review and edit submissions from our Country Correspondents, I also hope to contribute some writing from time to time. I cannot wait to start working with an amazing team and to learn from them.

If you want to read some of my work, you can find my essays, book reviews and articles published in Jeunesse: Young People, Texts, Cultures journal, Oxford Bibliographies in Childhood Studies, The Looking Glass: New Perspectives on Children's Books journal, Global Studies of Childhood journal, Children & Society journal, and on the Latinxs in Kid Lit blog. You can listen to me talk about Barbie on this episode of the Knowledge@Wharton podcast and about my experience serving on the Pura Belpré Award committee on this episode of the KidLit These Days podcast.

Education: Doctor of Philosophy (Ph.D.) in Curriculum and Instruction from Penn State University (Class of 2016)

Location: West Chester, Pennsylvania, but originally from Cabo Rojo, Puerto Rico

Favorite Caribbean children’s/YA books: So many! But some of my favorites are My Name is Maria Isabel by Alma Flor Ada, Planting Stories: The Life of Librarian and Storyteller Pura Belpré by Anika Aldamuy Denise and illustrated by Paola Escobar, Hurricane Child by Kacen Callender, and Lucky Broken Girl by Ruth Behar.



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Anansesem Founder, Summer Edward, Starts a New Chapter







PRESS RELEASE

FOR IMMEDIATE RELEASE

March 12, 2020


PHILADELPHIA, PA—Summer Edward, founder of Anansesem, is stepping down from her role as the online magazine's editor-in-chief; she held the position for the past 10 years. Edward founded the magazine when she was 24 years old.

Under her leadership, Anansesem, the first publication devoted to covering children's and young adult (YA) literature in the English-speaking Caribbean, published the work of over 220 emerging and established Caribbean children's and YA writers and illustrators; many whose earliest work appeared in Anansesem have gone on to secure traditional publishing contracts and garner wider recognition.

Here is a redacted version of the memo that was sent to Anansesem staff from Edward:

Dear Colleagues,

It's with a mixture of pride and sadness that I let you know that I will be stepping down as editor-in-chief: pride because I know I am leaving the magazine in the best of hands, and sadness because well, there's always a sadness to endings of any kind. I look forward to seeing Anansesem continue to evolve under new editorial leadership, and I will be around and available to help with the transition. I will always treasure my time as editor-in-chief, but it’s time to explore new territory in work and in life while I’m still young.

Over the past ten years, I've watched you, and other Anansesem editors and advisors who have since moved on, selflessly and freely volunteer your time and energy to the magazine. I am so deeply grateful for your brilliance and endless hours of work, which make everything possible. It has been a privilege to work, create, debate and laugh with you. You’ve given me work, friends, mentors, memories, and experiences that I will treasure forever. I wish for all of you the same joy, opportunity, and fulfillment in your careers, and look forward to seeing you continue to grow and evolve.

In the next few weeks, Anansesem will welcome its first batch of country correspondents. I believe this infusion of new talent, new ideas and 'millennial magic' (for those correspondents who fall into that generational cohort), alongside the guidance and experience of Anansesem's advisory board, is what the magazine now needs in order to reach its full potential and maintain longevity. I'm proud to have worked with the many wonderful children’s and young adult writers, children, teens, illustrators, librarians, publishing industry professionals and youth literature advocates who have contributed to Anansesem over the years.

Again, thank you all for everything.

Summer

Edward shepherded in a new era of Caribbean literary coverage focused exclusively on indigenous literature for young readers, and conducted interviews with scores of Caribbean luminaries in the children’s/YA literature world, including Alix Delinois, Floella Benjamin, Ibi Zoboi, Lynn Joseph, Margarita Engle, Nick Gillard (Macmillan Caribbean Publisher), Olive Senior, Tracey Baptiste, Vashanti Rahaman, and Verna Wilkins. “One of the things I wanted to do when I started Anansesem was to use the power of electronic publishing and online communities to break through the Caribbean's literary glass ceiling by giving children’s and young adult books by Caribbean authors (including those in the diaspora) the kind of serious attention and exclusive space it hadn’t been afforded before in the literary world,” says Edward. “Anansesem really has shifted awareness; since our founding there has been a steady rise in interest in Caribbean literature for young readers, not just in the Caribbean, but internationally.”

Edward also created the Anansesem Online Bookstore, the largest buyer’s resource for Caribbean children’s and YA books, and inaugurated the Anansesem starred review, aka the Anansesem Star. She is proud to have represented the magazine at literary events and professional conferences all over the world, including the American Library Association (ALA) Midwinter Meeting, the A is for Anansi Literature for Children of African Descent Conference, the West Indian Literature Conference, the PRTESOL Annual Convention, WORD!: A Caribbean Book Fest, Push to Publish Annual Conference, the U.S. Virgin Islands Literary Festival and Book Fair, the NGC Bocas Lit Fest, and more. Recognized as a Caribbean youth literature expert, partly due to her work with Anansesem, Edward has served as an adjudicator for national and international children’s/youth writing competitions, including the Golden Baobab Prizes for African children’s literature, the OpenIDEO Early Childhood Book Challenge, and the Scholastic Art and Writing Awards.

Edward was recently selected by Philadelphia Business Journal to join the Philadelphia Business Journals Leadership Trust, an invitation-only community for chief executives that brings together the brightest minds in business in the city of Philadelphia and across the USA. With her selection to the Trust, Ms. Edward is being recognized as an industry leader and expert in inclusive children's literature/publishing who is making a positive impact on her community.

Edward, who is a certified yoga instructor, looks forward to dedicating her energies to writing and enjoying her wellness practice. She also plans to tackle her travel bucket list and wants to publish her own children’s book imprint at some point in the future. Her first children’s book, Wygenia and the Wonder of the World Leaf, will be published by HarperCollins UK in fall 2020. She is also a contributor to 1789: Twelve Authors Explore a Year of Rebellion, Revolution, and Change, a forthcoming young adult anthology from Candlewick Press (a part of the Walker Books group), and was recently invited by Heinemann Publishing to write children’s books for their Shared Reading program.

Ms. Edward’s last day as editor-in-chief will be May 31, 2020. Her replacement will be announced shortly.

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Meet Country Correspondents Ariana and Carmen!






At the start of the year we announced that we're switching from a submission-based publication model to a citizen journalism model supported by a team of Country Correspondents.

Country Correspondents report to us any developments, publishing trends, and events happening in the field of children's/YA literature in their island(s), and they also spread the word locally about what we do at Anansesem. Oh, and they usually get free books. In the next couple of weeks we'll be introducing you to these wonderful people, two at a time.

Ariana Maria Herbert was recently appointed as our first ever Country Correspondent for Trinidad and Tobago, and we're thrilled that Dr. Carmen Milagros Torres, who's been an Associate Editor with us (and a huge help!) for the past several years will stay on in her new role as the Country Correspondent for Puerto Rico. Here’s what they have to say about themselves and their work in the field:

Ariana Maria Herbert

I’m serious about empathy, inclusion and wonder. Insatiably curious, I prefer verbs to nouns when it comes to describing my work, but I can usually be found in the modes of Freelance Arts and Culture Coordinator, Writer and Arts Educator. I’m committed to storytelling and world-building in all forms and believe in the power of play. From creative writing workshops to stop motion masterclasses, you can usually find me anywhere where I can learn about inclusion and diversity in the literary arts, media and edtech; for the past few months, I’ve been on an extended trip to the UK where I’ve been attending various workshops and conferences related to early childhood education, special education and film production.

With a background in the literary and performing arts, I have over six years’ experience in NGO and arts-based project/workshop development and facilitation. I’ve been a volunteer at the NGC Bocas Lit Fest, Trinidad and Tobago’s national literary festival, where I was also employed as the Children’s Programme Coordinator and Programme and Prize Administration Assistant.

I’ve enjoyed volunteering as a Creative Writing Teacher for children, and I’ve worked as an Arts Educator with The 2 Cents Movement, a youth-led performance art NGO in Trinidad and Tobago, where I was also a Senior Resident Teaching Artist and served as the Interim Artist Director.

As a Performance Poet, my work focuses on exploring childhood, identity, gender and diversity. I was a finalist in the First Citizens' National Poetry Slam and a poetry slam judge of the Courts Bocas Speak Out Intercol and the Republic Bank Primary School Showcase. I've performed both locally and internationally in parts of the UK, where I was one of two poets selected to represent Trinidad and Tobago at the Roundhouse’s 2017 Talking Doorsteps International Exchange Program.

Since late 2018, I’ve been freelancing and exploring another interest of mine: the world of arts production (I’d previously worked as a Production Assistant for Bird’s Eye View Productions and at the University of Trinidad and Tobago for a children’s musical.) I participated in the Mentoring with the Masters programme run by Trinidad and Tobago’s Ministry of Community Development, Culture and the Arts; through this programme, I was able to intern in set and lighting design with the National Drama Association of Trinidad and Tobago (NDATT) and went on to serve as NDATT’s Assistant Secretary. Additionally, I was a Teaching Artist with the Trinbagonian chapter of Girl Be Heard, a New York-based nonprofit theatre company and educational programme and served as the Lighting Coordinator for their June showcase, which I co-directed. Most recently, in 2019, I worked with Manchester-based Sparklab Productions to coordinate three radio plays for CARIFESTA and BBC Radio 3.

Literary-wise, I’m currently a poetry reader at Homology Lit, and my poetry and nonfiction have been published in Caribbean Beat and Culturego Magazine. With a particular fondness for speculative fiction, I want to produce sensory-friendly literature and edutainment that expands the children’s and young adult narrative in Trinidad and Tobago. I’m especially committed to ensuring that disabled children in the Caribbean see themselves represented in accessible literature and media.

Education: Bachelors (Hons) in Communication Studies with a special focus in Educational Linguistics and a Minor in Literatures in English from the University of the West Indies, St. Augustine (Class of 2016)

Location: Arima, Trinidad

Favorite Caribbean children's/YA books: Crick Crack Monkey by Merle Hodge, Boonoonoonous Hair! by Olive Senior, Starring Carmen! by Anika Denise and Malaika's Winter Carnival by Nadia L. Hohn



Carmen Milagros Torres

I’m an English professor at the University of Puerto Rico Humacao where I currently teach literature courses as well as online courses to undergraduate students. I’m a member of Puerto Rico Teachers of English to Speakers of Other Languages (PRTESOL) as well as the Society of Children’s Book Writers and Illustrators (SCBWI). I’ve also been an Associate Editor with Anansesem since 2016, which has allowed me to continue cultivating my passion for Caribbean children’s and young adult literature.

My PhD dissertation (which I successfully defended in 2015) is titled 'Unsilencing the Afro-Puerto Rican Voice: Bilingualism and Cultural Identity of Puerto Rico.' This research is based on a praxis model and incorporates my short story collection, Coquíes, Drums and Dreams, which consists of eight fairy tale retellings exploring the realities of enslaved Puerto Ricans in the 19th century. These stories for young audiences portray strong Afro-Puerto Rican female characters.

While completing my studies, I participated in numerous conferences (including the International Society for Language Studies Biennial Conference, the Caribbean Without Borders Conference, the West Indian Literature Conference, About Change’s ‘Wrestling with the Image: Caribbean Interventions’ exhibit, and the ‘Negotiating Gender, Race, and Ethnicity in a New Global Age’ Symposium) and workshops, presenting my creative work and research. My article 'Puerto Rican Children’s Literature and the Need for Afro-Puerto Rican Stories' was published in Bookbird: A Journal of International Children's Literature in 2014 and my essay 'Giving a Voice to Afro-Puerto Ricans in Children’s Literature,' which I originally presented at the first Congress of Afrodescendants in Puerto Rico, appears in the book ¡Negro, Negra!: Afirmación y Resistencia.

Through my research on Caribbean children’s and young adult literature, I’ve identified the need for more stories with Afro-Puerto Rican characters. I’ve taken the initiative of writing such stories myself; two of my short stories⁠—'Adannaya’s Sugar' and 'Dancing Bomba'⁠—were published in Anansesem. My short story 'The Ungrateful Coquí' obtained first prize in a short story contest sponsored by Publicaciones Puertorriqueñas and Professor Vivian Mayol of University of Puerto Rico, Río Piedras Campus.

Currently, I’m in the final stages of self-publishing APParently Enchanted, a speculative fiction children’s novel that I first started brainstorming during my PhD studies. The book will be published with the support of the University of Puerto Rico Humacao’s Office of Sponsored Research and Programs.

Education: Doctor of Philosophy (PhD) in Caribbean Languages and Literature from the University of Puerto Rico Río Piedras campus (Class of 2015)

Location: Río Piedras, Puerto Rico

Favorite Caribbean children's/YA books: The Red Comb by Fernando Picó, The Firefly Letters: A Suffragette’s Journey to Cuba by Margarita Engle, The Meaning of Consuelo by Judith Ortiz Cofer, In the Shade of the Nispero Tree by Carmen Bernier-Grand and Dancing in the Rain by Lynn Joseph



If you'd like to become a Country Correspondent and we have a vacancy for your country, please contact us.


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Caribbean-American Titles Recognized at the ALA Youth Media Awards






Caribbean-American authors and illustrators received recognition at the 2020 Youth Media Awards in Philadelphia on January 27, 2020. Click on the book covers to view the books on Amazon.









Sal and Gabi Break the Universe by Carlos Hernandez (Disney-Hyperion) won the Pura Belpré Author Award for outstanding children's literature by a Latino/Latina author.

Across the Bay illustrated and written by Carlos Aponte (Penguin Workshop) was named a Pura Belpré Illustrator Award Honor Book.

Planting Stories: The Life of Librarian and Storyteller Pura Belpré by Anika Aldamuy Denise and illustrated by Paola Escobar (HarperCollins Children’s Books) was named a Pura Belpré Author Award Honor Book.

Double Bass Blues illustrated by Rudy Gutierrez and written by Andrea J. Loney (Alfred A. Knopf) was named a Randolph Caldecott Medal Honor Book for the most distinguished American picture book for children.

Each Tiny Spark by Pablo Cartaya (Kokila Penguin Young Readers Group) was named a Schneider Family Book Award (for books that embody an artistic expression of the disability experience) in the middle grades category.

Just Ask! Be Different, Be Brave, Be You by Sonia Sotomayor and illustrated by Rafael López (Philomel Books) was named a Schneider Family Book Award (for books that embody an artistic expression of the disability experience) in the young children (ages 0 to 10) category.

The Stars and the Blackness Between Them by Junauda Petrus (Dutton Books) was named a Coretta Scott King Author Award Honor Book for outstanding books for children and young adults by an African-American author.

The Black Flamingo by Dean Atta and illustrated by Anshika Khullar (Hodder Children’s Books) won the Stonewall Book Award for English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience.

Dominicana by Angie Cruz (Flatiron Books) was selected as an Alex Award Winner for the 10 best adult books that appeal to teen audiences.

Read the complete list of nominees and winners here.

Congratulations to the authors, illustrators and publishers!


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Celebrating 10: Introducing Anansesem's New Publication Model






We're pleased to announce that Anansesem will start using a new publication model in 2020, to mark the beginning of our tenth year of existence. In summary, the ezine will move away from a submission-based model and towards a citizen journalism model of regional and international news-gathering.

Since our founding in 2010, the number of submissions to Anansesem has become unmanageable for our small team of volunteer editors. The move to a citizen journalism model will allow the ezine to continue achieving its mission ("fostering a vibrant community around Caribbean children's and young adult [CHYA] books and broadening public, literary and artistic awareness, and critical appreciation, of Caribbean CHYA literature") without sacrificing editorial quality and efficiency.

Starting in 2020, we are piloting having Country Correspondents in as many countries as possible, who will send us information about going-ons in their country related to Caribbean CHYA literature. Country Correspondents are savvy writers who are highly knowledgeable about CHYA publishing issues and who are dedicated to championing people whose voices and experiences are rarely seen in "mainstream" media coverage of CHYA literature. Country Correspondents are responsible for collecting stories and then reporting the news in writing, to be published on our website. The post is unpaid, as are all advisory board members. If you would like to become a Country Correspondent and we have a vacancy for your country, please contact us.

Our editorial teams of past and present are extremely grateful to have had the opportunity to work with an incredible, talented body of approximately 200 contributors over the last ten years. We will continue to champion their work, even as we discover new voices and talent. We will also continue to advocate for operational funding for small Caribbean literary arts publications like ours, in hopes that Anansesem may one day be able to pay staff, writers and illustrators for their invaluable work.

Stay tuned for an introduction to our new, fast-growing team of Anansesem Country Correspondents!



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Anansesem Founder, Summer Edward, to Guest Lecture at Rutgers University






Anansesem founder and editor-in-chief, Summer Edward, was invited to guest teach at Rutgers University, the State University of New Jersey, in spring 2020. Ms. Edward will deliver a week of recorded talks on Caribbean children's and young adult literature, and provide learning resources and online classroom support for students in the Special Topics: International K-12 Books course. Her invitation to guest teach marks the first time Caribbean ChYA literature is being covered in the course, which examines ChYA literature from Africa, China, the Hispanic world, India, Japan and Poland. Plans are in the works for Ms. Edward to join the students and other guest lecturers on their class trip to the Bologna Children's Book Fair in Bologna, Italy.

Taught each spring by Dr. Marc Aronson, assistant professor at the Rutgers School of Communication and Information and noted Sibert Award-winning author of books for young readers, the online course is offered as a part of Rutgers' online Master of Information program, and has an international enrollment.

As a tertiary educator, Ms. Edward previously taught writing and communications at the University of the West Indies and was a curriculum designer and guest speaker for Writing for Young Readers: Opening the Treasure Chest, a massive open online course (MOOC) for adult learners offered internationally by the Commonwealth Education Trust.


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Holiday Sale! – Back Issue Bundle




Gift or receive the gift of Anansesem this Christmas.

Happy holidays to all our readers! This Christmas season, we invite you to enjoy a Back Issue Bundle, featuring our three most recent issues, with a limited-time 50% off special offer.

Anansesem is the world's largest and most authoritative reviewer of Caribbean children's and young adult material. Get top-notch industry coverage and access to a broad range of resources and digital content.


The perfect gift for librarians, reader advisory specialists, teachers and parents. Buy for yourself or give as a gift. Offer ends December 31 at midnight. Get 3 Special Issues (the Love Issue, the Book Reviews Issue and the Puerto Rico Issue), a total 259 pages in full color. Sharp editorials, insightful reviews, special features, starred books, author and illustrator interviews and more.
*This offer expired on 12/31/2019.*


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Contributors to the Special Issue on Puerto Rico






Good news— the .pdf of our special bilingual issue on Puerto Rico is now available for purchase here.

Guest edited by Boston-based librarian and Association for Library Service to Children (USA) Board member Sujei Lugo Vásquez (herself Puerto Rican), the Puerto Rico Issue is dynamic and our longest (128 pages lovingly designed in full color) to date. With its focus on post-Hurricane Maria literacy, storytelling, library and publication projects that are connecting children and youth to Puerto Rican children's literature and Puerto Rican history, the issue both clarifies and problematizes the current social and political climate in Puerto Rico, which is grappling with a plummeting economy while renewing its push for statehood.

Contributors to the issue include Puerto Rican professors, librarians, primary/secondary school teachers, storytellers, and children's authors/illustrators, and we wanted to take a moment to share their faces. Right click on the image above to download the promotional banner, and do share with your networks! (Feel free to use the handy link below to share on Twitter).



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Anansesem's Caribbean Children's/YA Online Bookstore Launched







I'm pleased to share a project I’ve been working on for the past couple of months: Anansesem has just launched our new-and-improved Anansesem Online Bookstore, which can be found here. Amazon.com now has a monopoly on online book shopping worldwide and so we’ve chosen to partner with them through their Amazon Affiliate Program.

The Anansesem Online Bookstore is a carefully curated niche bookstore that marries the convenience and accessibility of Amazon.com with Anansesem’s trusted expertise in the Caribbean children's and young adult (YA) books marketplace. As editor-in-chief, I'm so accustomed to delegating, but the Anansesem Online Bookstore is my personal project and I think it's my favorite thing I've done in nine years of running the magazine.

The Anansesem Online Bookstore carries only ‘own voices’ books. These are high quality traditionally published children's and YA books, as well as self-published books of cultural interest. The bookstore carries books printed in Kreyòl, Spanish, French and English, many of which are bilingual books.

Read my recent guest post on The Brown Bookshelf website to learn more about the bookstore's offerings and the behind-the-scenes work that went into building it. And while you're on their website, check out their 28 Days Later Campaign which profiles the best new and unnoticed African-American children's and YA authors.


Click to browse the
Anansesem Online Bookstore



About the Author

Summer Edward is the Editor-in-Chief here at Anansesem. Her writing and art have been published in various literary magazines and anthologies. Her home on the web is www.summeredward.com.




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Anansesem's Special Offer for Caribbean American Heritage Month



Anansesem is the world's largest and most authoritative reviewer of Caribbean children's and young adult material. Get top-notch industry coverage and access to a broad range of resources and digital content.

In recognition of Caribbean American Heritage Month, we invite you to join us today with a limited-time 'buy-1-get-1-free' special offer.


Catch up on the latest writing, news, reviews and interviews from the world of Caribbean children's and YA literature. Offer ends June 30 at midnight. Get the September 2017 and May 2018 .pdf special issues (131 pages in full color) of Anansesem, the premiere publication for librarians and information specialists who work with Caribbean children and teens.


*This offer expired on 06/30/2019.*


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The Caribbean Children's and YA Writers Survey






In an effort to examine, understand and bring to light the unique challenges Caribbean children's and young adult writers face in getting their work published (either traditionally or self-published), we created The Caribbean Children's and YA Writers Survey. This anonymous questionnaire is for Caribbean writers for young audiences. It doesn't matter if you haven't yet published a book; as long as you're writing for young audiences and identify as a person of Caribbean heritage/ancestry, we want to hear from you.

Click here for a direct link to the survey, or you can fill it out right here on our site by scrolling down to the end of this page. The survey closes on April 30th, 2019.

In private circles, in one-off conversations, our writers tell countless stories of the unique challenges they face trying to break into publishing, but their experiences have not yet been collectively publicized. This has led to a culture of silence surrounding the exclusion of Caribbean narratives in children's/YA publishing. We aim to disrupt this culture of silence and widen the window of discourse. We seek to document as much as possible the range of experiences and views of Caribbean writers for young audiences who have been trying to get their work published—some of them for decades—as well as those who have already published a book.

The information collected via this questionnaire will be made available to publishers and literary agencies (both in the Caribbean and elsewhere) who express interest in acquiring work by, and successfully working with, Caribbean children's and young adult writers. We will also report our findings on our website. We will use this information to characterize the particular struggles Caribbean children's and young adult writers face in selling and translating their work to publishing houses, literary agents and editors in the publishing establishment (in the USA, UK etc.).

We hope that responses to the questionnaire will open up conversations about what is needed to make the children's/YA publishing industry more receptive to Caribbean voices, stories, and ways of telling them. Your participation is greatly appreciated and will make an important contribution to the industry. Completing this survey should take approximately 15-30 mins. Thanks for your participation and please share this widely!



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[Event] Tracey Baptiste in Conversation with Summer Edward




August 25th, 2017 @ 1:00 pm - 2:30 pm


On Friday August 25th, 2017, join us for a conversation with prospective Anansesem contributor Tracey Baptiste, an award-winning Trinbagonian children's author based in New Jersey, USA.

Tracey Baptiste dreamed of being an author since the age of three when she was given a book of Grimm’s Fairy Tales. She is the author of the forthcoming middle grade novel Rise of the Jumbies, the sequel to The Jumbies, a creepy middle grade fairy tale set in the Caribbean which was a Junior Library Guild selection, a We Need Diverse Books “Must Read,” a New York Public Libraries Staff Pick, and a Bank Street Books Best of 2016. Her other 12 books for children include Angel's Grace and The Totally Gross History of Ancient Egypt. She volunteers with We Need Diverse Books, The Brown Bookshelf, and I Too Arts Collective. She is a faculty member in Lesley University’s Creative Writing MFA program teaching Writing for Young People, and runs the editorial company Fairy Godauthor. She is currently working on a young adult novel and a nonfiction graphic novel, both slated for publication in 2018.

Baptiste will talk children's literature, writing, and her recent books and take questions from the audience in this discussion. Moderator Summer Edward is a former judge of the Golden Baobab Prizes for African children's literature and Anansesem's Editor-in-Chief.

Back in April 2015, we welcomed Baptiste as one of the guest authors in our #Caribbeankidlitchat Twitter chat series (the archive of that chat can be found here) and we're beyond excited that she's coming to Trinidad.



Attending this event? RSVP here
.




The flyer below can be downloaded and shared on social media, in fact, we encourage it!



   Details

    Venue:
    Carnegie Free Library
    Corner Coffee & Prince
    of Wales Streets
    San Fernando,
    Trinidad

    Phone:
    (868) 652-2608

    Organizer:
    Anansesem Caribbean
    children's literature
    ezine


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[Event] Nadia L. Hohn in Conversation with Summer Edward




August 2nd, 2017 @ 1:00 pm - 2:00 pm


On Wednesday August 2nd, 2017, join us for a conversation with Anansesem alum Nadia L. Hohn, an award-winning Jamaican children's author based in Canada.

Nadia L Hohn began writing, illustrating and making books at age five. She is the author of the Music and Media books in the Sankofa Series (Rubicon Publishing, 2015.) In 2014, she was awarded the Helen Issobel Sissons Canadian Children's Book Award for her picturebook manuscript, Malaika's Costume, which was published by Groundwood Books and won the 2015-2016 Elementary Teachers’ Federation of Ontario (ETFO) Children's Literature Award. She has studied writing at the Highlights Foundation, Humber College School of Writers, George Brown College and Voices of our Nation (VONA). Le Costume de Malaika, the French translation of Malaika’s Costume, was published in January 2017 and the sequel, Malaika's Winter Carnival, is due in the fall of 2017.

Hohn will talk children's literature, writing, and her recent books and take questions from the audience in this discussion. Moderator Summer Edward is a former judge of the Golden Baobab Prizes for African children's literature and Anansesem's Editor-in-Chief.

We published a review of Malaika's Costume (read it here) and an interview with Hohn (read it here) in our December 2016 issue, and we couldn't be more thrilled that she's coming to Trinidad.



Attending this event? RSVP here
.




The flyer below can be downloaded and shared on social media, in fact, we encourage it!



   Details

    Venue:
    Arima Public Library
    #31 Pro Queen Street
    Arima, Trinidad

    Phone:
    (868) 667-3370

    Organizer:
    Anansesem Caribbean
    children's literature
    ezine


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Anansesem Editors invited to Art Day Pilot Program


Anansesem is currently on a publication hiatus, but we have not stopped working behind the scenes!

Anansesem Founder and Art Editor, Summer Edward and Colin Bootman respectively, were recently invited to participate in the "Painting the Word" Art Day pilot program at Toco Secondary School in Trinidad.

Art Day, an initiative spearheaded by Trinidadian author/editor/publisher Danielle Delon, seeks to be an island-wide progam that will bring art education and prominent Trinidad and Tobago artists into the islands' schools. Student writing and art produced during Art Day events will be published as anthologies. An official proposal has been put forth to the Ministry of Education and is pending approval.

Although Bootman could not attend, Edward, along with Delon, helped Trinidadian artist Eddie Bowen facilitate the pilot program with 24 students from the Toco Secondary and Matelot Community RC schools. A group of 5 teachers from both schools were also on hand to assist.



In keeping with the theme of "rivers and bridges", students created artwork to build upon creative writing projects completed ahead of time in preparation for the pilot program. Students were guided in art techniques and had opportunities to read and discuss their writing and art. Delon, who will soon release a photo-reportage book on the bridges of Trinidad and Tobago, shared her specialized knowledge with students and teachers. At the end of the 5-hour interactive session, students and teachers gave overwhelmingly positive feedback.

Student art produced during the Art Day Pilot Program


Delon, who founded one of Trinidad and Tobago's first publishing houses, Cassique Publications, is renewing her efforts as a publisher and has extended her work to school outreach and youth development. Delon is also the Director of the NGC Bocas Children's Lit Festival, although the Art Day program is an independent project.

Toco Secondary School, the site of the pilot program, is set to be renamed after Trinidad and Tobago's second Olympic gold medalist and former pupil, Keshorn Walcott, however the school is in dire need of repairs. "The students are bright and beautiful and along with the compulsory subjects, the curriculum prepares students to excel in fields like textile arts and the industrial arts," Edward noted, "But the classroom
walls are bare, the air-condition units are leaking badly, and they are in dire need of more materials and supplies. There is only one English teacher at the school who has to juggle all the classes."

Individuals or organizations wishing to assist or donate supplies to Toco Secondary School can contact the school directly at (868) 670-8261.

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Anansesem 2013 Best Story Prize: Vote Now for Your Favourite!








As promised, thanks to a generous offer by the Caribbean South Chapter of the Society of Children's Book Writers and Illustrators (SCBWI), we're awarding a prize for the best story written by an adult appearing in either the May 2013 or December 2013 issues of Anansesem.

Of course, the "best story" is subjective and we're really asking you to vote for your favorite. The author of the story with the most votes will receive a free one-year membership to the Caribbean South chapter of the SCBWI. Read about the SCBWI membership benefits here.

*Voting ends Saturday 25 January, Midnight EST

Vote now!


Haven't read the stories as yet? Click on the titles below to read them.

• Auntie Cheryl's Birds by Sarah Venable
• Pipe Dream by Carol Sammy
• Rolling Calf by Lisa Dunn
• The Bird Who Saved His Food by Tammi Browne-Bannister
• The Caterpillar That was Afraid of the Cocoon by Latoya Wakefield
• What A Lime of a Night! by Gale Weithers






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#Caribbeankidlitchat




With the shut-down of Storify.com (the web application used to archive our chats), #Caribbeankidlitchat has been suspended until further notice.

On April 2, 2015 (International Children's Book Day), Anansesem hosted its first ever Twitter chat with guest authors Lynn Joseph, Ramin Ganeshram, Tracey Baptiste, and moderator Summer Edward. The chat focused on diversity, diversifying Caribbean children's lit narratives and the (often problematic) relationship between Caribbean children's literature and US publishing.


The first #Caribbeankidlitchat was enthusiastically received. The Tweet Reach analysis of the chat below confirms the impact of using a social media forum like Twitter to reach and engage the kid lit community:



#Caribbeankidlitchat (that's the official hash tag) is a twitter chat, held about once every two months, for anyone involved in the writing, editing, reading, marketing or publishing of Caribbean children's literature. We welcome readers, librarians, teachers, parents, booksellers, packagers, etc. to engage in discussions concerning the market, craft, the classroom, children, shelving, content, policy, etc.


#Caribbeankidlitchat takes place at 7PM EST (usually on Thursdays) and goes until 8:30PM. The chats are guided discussions (there is a moderator) and participants are asked to stay on topic. The best way to participate is using tweetchat.com if you have a Twitter account and tagboard.com if you don't.


We plan to have this chat once per month. We are currently seeking participants (guest authors and publishing professionals) as well as volunteers to help spread the word and serve as moderators (as long as you are qualified to do so).


Stay tuned to our Twitter and Facebook pages where we will announce future chats:

Follow us on Facebook! Follow us on Twitter!




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December 2012 Issue: Now Accepting Submissions


Anansesem December 2012 Issue: Call for Submissions

Deadline: November 25, 2012

Anansesem Caribbean children's ezine is now accepting submissions for our December 2012 issue. Adults, we are looking for poems, art, nonfiction articles and stories that Caribbean children will enjoy and relate to. Although Caribbean writers and artists are given first preference, you absolutely don't have to be from the Caribbean to submit your work, however submitting Caribbean-themed work will increase your chances of having your submission accepted.

Work by Caribbean/Caribbean Diaspora Kids

We are also looking for more work by kids ages 8-16. We're trying our best to make the ezine more child-centered. Writing, poems and art by children is what we're really after. Teachers and parents, give your kids the opportunity to see their work published online. It's up to us to foster children's creative development! Please follow the guidelines for submitting work by kids stated here our website. Although Caribbean child writers and artists are given first preference, a child does not have to be from the Caribbean to submit their work, however submitting Caribbean-themed work will increase the chances of having the submission accepted.

If you are an adult, submit poems to anansesempoetry@gmail.com, fiction to anansesemfiction@gmail.com, art to anansesemart@gmail.com and nonfiction to anansesemnonfiction@gmail.com. If you are a child 8-16 years of age, please submit poems to anansesempoetry@gmail.com, fiction and nonfiction to anansesemkids@gmail.com and art to anansesemart@gmail.com

NOTE: Please follow the usual submission guidelines (Guidelines for Adults and Guidelines for Kids) stated on our website. Failure to follow submission guidelines may result in your submission being rejected. Pleaseproof read your work before submission as well. While we are pleased to consider all submissions, anything that needlessly slows down the process may increase your chances of rejection. If you don't take your work seriously enough to follow these simple instructions, there is little reason for us to take your work seriously.

Featured Illustrators Wanted!

Children's illustrators from any country are invited to apply to be a Featured Illustrator in our upcoming issue. Your work must be Caribbean-focused. Featured Illustrators have their work displayed prominently in the slideshow on our homepage. They also get their own page on our site. To apply to be a Featured Illustrator, submit 1-4 horizontally-oriented illustrations 1000px wide x 395px high (larger images are fine as long as they can be effectively downsized) to anansesemart@gmail.com

We look forward to seeing your work!


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Interviews

This Month's Books